[I] did catch Scott Worthington make magic with his solo acoustic bass and electronics.
Mark Swed - Los Angeles Times: Why new music has come roaring back in L.A.
[Prism] is ... an exceptional disc, as bewitching as it is original. Worthington's double bass speaks not only in lumbering, thunderous tones but also in high, pale registers of piercing expressivity.
Alex Ross - The Rest Is Noise: Now Playing
enthralling and, yes, verging on the ecstatic.
Nathan Thomas - Fluid Radio (review of Orbit)
quietly gripping
Steve Smith - National Sawdust Log (review of Orbit)
Scott Worthington's bass is a gentle giant, deep and softly breathing.
... Prism shows Worthington to be a composer of subtlety and skill.
Tim Rutherford-Johnson - The Rambler: CD Review
Even the Light Itself Falls lulls you into a meditative state, yet continually surprises and delights with tiny, glittering events along the way.
Steve Smith - The New York Times: ArtsBeat Classical Playlist
Worthington's control ... was masterful, and transfixing.
Isaac Shankler - NewMusicBox: A Spring 2014 Concertgoer's Journal